绝望的母亲艾丽西亚竭尽所能阻止其子丹尼尔因谋杀前妻未遂而被判入狱。在这一过程中，艾丽西亚将发现一桩阴谋，这将彻底改变她的生活，并将其变成一个真正的噩梦。

绝望的母亲艾丽西亚竭尽所能阻止其子丹尼尔因谋杀前妻未遂而被判入狱。在这一过程中，艾丽西亚将发现一桩阴谋，这将彻底改变她的生活，并将其变成一个真正的噩梦。

翻拍自1966年李晚熙的爱情片名作《晚秋》，讲述了一名假释中的女犯人和一名年轻男子相遇的故事。女犯人原先以为受尽了欺骗而不肯相信男人，但得知男青年为了她而不惜抛弃生命之后幡然悔悟，但为时已晚，结局是个令人落泪的悲剧。但就像金绮泳导演的一贯风格，本片中也不乏刺激性的情色镜头。2010年，韩国男星玄彬与中国女性汤唯再度翻拍了《晚秋》。

翻牌自1966年李晚熙的爱情片名作《晚秋》，讲述了一名假释中的女犯人和一名年轻男子相遇的故事。女犯人原先以为受尽了欺骗而不肯相信男人，但得知男青年为了她而不惜抛弃生命之后幡然悔悟，但为时已晚，结局是个令人落泪的悲剧。但就像金绮泳导演的一贯风格，本片中也不乏刺激性的情色镜头。2010年，韩国男星玄彬与中国女性汤唯再度翻拍了《晚秋》。

小虎在一次画画比赛中只得到了亚军，输给了小暮，因为小暮的议员彭的女儿，所以评委都把票投给了小暮。与冠军失之交臂并且没有得到奖金的小虎非常不开心…

Camburnu is a small mountain village in northeastern Turkey. Thanks to the Black Sea’s mild and humid climate, the villagers have lived for generations off tea cultivation and fishing in harmony with the nature surrounding them. But this idyllic environment is threatened by the government’s decision ten years ago to build a garbage landfill directly above the village. Despite protests by the mayor and the villagers, a waste facility has been built that does not comply with the most important security and building standards and since then has continued to pollute the environment through accidents and disasters. The tea growers, whose plantations lie beneath the landfill, have lost their livelihood. The consequences are devastating and clearly evident, yet tons of waste continue to be dumped in the landfill every day. 　　In 2006, filmmaker Fatih Akin went to Camburnu for the first time to shoot the finale of his film THE EDGE OF HEAVEN in his grandparent’s home village. When he learns of the impending environmental disaster, he decides to take action in the best way he knows how. Over a period of more than 5 years, he documents the small village’s struggle against the country’s powerful institutions, and records the inevitable disasters that consistently plague this former paradise…

Camburnu is a small mountain village in northeastern Turkey. Thanks to the Black Sea’s mild and humid climate, the villagers have lived for generations off tea cultivation and fishing in harmony with the nature surrounding them. But this idyllic environment is threatened by the government’s decision ten years ago to build a garbage landfill directly above the village. Despite protests by the mayor and the villagers, a waste facility has been built that does not comply with the most important security and building standards and since then has continued to pollute the environment through accidents and disasters. The tea growers, whose plantations lie beneath the landfill, have lost their livelihood. The consequences are devastating and clearly evident, yet tons of waste continue to be dumped in the landfill every day. 　　In 2006, filmmaker Fatih Akin went to Camburnu for the first time to shoot the finale of his film THE EDGE OF HEAVEN in his grandparent’s home village. When he learns of the impending environmental disaster, he decides to take action in the best way he knows how. Over a period of more than 5 years, he documents the small village’s struggle against the country’s powerful institutions, and records the inevitable disasters that consistently plague this former paradise…

普鲁克（西提达·萨帕努查 Sittha Sapanuchart 饰）和西恩（阿努瓦·宗澈德拉塔纳 Anuwat Choocherdratana 饰）是一对交往多年的同性情侣，两人之间的感情一直都十分的要好，然而某一日，西恩告诉普鲁克，自己爱上了一个名叫普拉（萨维卡·恰雅德 Savika Chaiyadej 饰）的女人，不仅如此，他们还计划着携手步入婚姻的殿堂。 　　某日，西恩邂逅了名叫阿昂（贡拉维·素昂吉本 Kornrawich Sungkibool 饰）的男孩，经受不住年轻肉体的诱惑，两人发生了关系，这被普拉知道了。普拉将这段情事透露给了普鲁克，普鲁克大为吃醋，为了报复西恩的绝情，普鲁克选择了最离谱的方式，他也和阿昂上床了。

普鲁克（西提达·萨帕努查 Sittha Sapanuchart 饰）和西恩（阿努瓦·宗澈德拉塔纳 Anuwat Choocherdratana 饰）是一对交往多年的同性情侣，两人之间的感情一直都十分的要好，然而某一日，西恩告诉普鲁克，自己爱上了一个名叫普拉（萨维卡·恰雅德 Savika Chaiyadej 饰）的女人，不仅如此，他们还计划着携手步入婚姻的殿堂。 　　某日，西恩邂逅了名叫阿昂（贡拉维·素昂吉本 Kornrawich Sungkibool 饰）的男孩，经受不住年轻肉体的诱惑，两人发生了关系，这被普拉知道了。普拉将这段情事透露给了普鲁克，普鲁克大为吃醋，为了报复西恩的绝情，普鲁克选择了最离谱的方式，他也和阿昂上床了。

Jane Fonda narrates the story of the years between the ascent of talkies until late in 1934, when the Hays Office cracked down on what it perceived as immorality in Hollywood movies. The emphasis is on how women were portrayed, and focuses on how they were much more liberated and equal (or superior) to men, until 1935 when they once again took subservient roles to their male co-stars.